The streets of New York became a canvas for Jean-Michel Basquiat, the subways a canvas for Keith Haring. Both artists had recognition in underground art venues and clubs, but did not gain immediate entrance to established galleries and museums. The art, and club, scene in the 1980s was wild and frenzied. Haring and Basquiat both worked and partied with abandon and, as it turned out, the streets and subways gave them access to wide audiences. Their art eventually crossed the threshold from street art to high art, paving the way for graffiti artists who came after them to gain acceptance in galleries and museums around the world.
Keith Haring's original, signed works are coveted by museums and collectors, and are becoming increasingly difficult to find. Keith Haring posing with his Crack is Wack mural in 1986. The Mural at Grace House Keith Haring's generous spirit and his desire to share his art and promote art education for young students, led to his [...]
Young Keith Haring in Kutztown, Pennsylvania. After graduating from high school, Keith Haring left his family home in Kutztown, Pennsylvania, and spent just two semesters at the Ivy School of Professional Art in Pittsburgh, before dropping out and heading for New York. He was an artist. He'd been drawing from a very early age, taught by his [...]
Keith Haring brought underground urban art into the avant-garde New York art scene and into the mainstream. Just in his twenties, when he moved from Pennsylvania to New York, Haring would do chalk drawings on empty advertisement boards at subway stations, much to the delight of the public and the consternation of the police.
Haring had his first solo museum exhibition at the Stedelijk Museum in Amsterdam in 1986. He painted a mural for the exhibit inside the museum, and then asked the museum curators if he could paint a public mural outside as a gift to the city. The curators let Haring paint one of the brick walls of a museum warehouse. Haring painted one of his distinctive figures riding a giant sea creature.