The streets of New York became a canvas for Jean-Michel Basquiat, the subways a canvas for Keith Haring. Both artists had recognition in underground art venues and clubs, but did not gain immediate entrance to established galleries and museums. The art, and club, scene in the 1980s was wild and frenzied. Haring and Basquiat both worked and partied with abandon and, as it turned out, the streets and subways gave them access to wide audiences. Their art eventually crossed the threshold from street art to high art, paving the way for graffiti artists who came after them to gain acceptance in galleries and museums around the world.