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Thomas Hart Benton
(1889 -1975)

Likely the most important painter of the American Scene Movement, Thomas Hart Benton created a style and addressed subject matter that was uniquely American as well as specific to his state of Missouri, and that combined elements of modernism and realism.  His signature painting was regionalist genre, especially laboring figures. In addition to many murals, he also painted landscapes and portraits.

Select an image to the left to enlarge it.

 

 

Wreck of the Ol' 97
Lithograph
10 1/4 x 15 inches
Repairing the Sloop
Lithograph
13 7/8 x 17 7/8 inches
Huck Finn
Lithograph
16 1/4 x 21 5/8 inches
 
 
Making Camp
Lithograph
11 7/8 x 14 3/8 inches
Chain Gang
Oil on Tin
10 1/2 x 13 1/4 inches
Frankie and Johnnie
Lithograph
16 3/8 x 22 1/8 inches
 
 
Instruction
Lithograph
10 7/16 x 12 5/16 inches
Benton Farm
Lithograph
11 3/8 x 14 3/8 inches
Self Portrait
Lithograph
11 5/8 x 9 1/2 inches
 
 
Youth Music
Lithograph
16 7/8 x 20 5/8 inches
Photographing the Bull
Lithograph
11 15/16 x 16 inches
Sharecropper’s Shack
Pencil, ink, & wash on paper
10 1/4 x 14 5/8 inches
 
 
County Politics
Lithograph
13 7/8 x 15 7/8 inches
Jesse James
Lithograph
16 7/8 x 22 1/8 inches
Going West
Lithograph
11 1/2 x 22 1/2 inches
 
 
Lonesome Road
Lithograph
9 3/4 x 12 1/2 inches
Forward Pass
Lithograph
12 7/8 x 19 3/4 inches
Prayer Meeting
Lithograph
9 x 12 5/16 inches
 
 
The Race
Lithograph
9 15/16 x 13 3/6 inches
Loading Corn
Lithograph
10 1/4 x 13 1/4 inches
Wyoming Autumn
Lithograph
17 1/8 x 23 1/4 inches
 
     
10 Pound Hammer
Lithograph
13 15/16 x 9 13/16 inches
10 Pound Hammer
Oil on Panel
12 x 9 ½ inches
     
 

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